I'm pleased to announce we are now offering edge painting as one of our capabilities!
The process of edge painting, or inking the edges of the cards, is a service I've been wanting to offer for some time. The technique is tricky to perfect – it's time consuming and a challange to produce consistent, quality results. If done incorrectly, the paint can seep into the edges of the cards and bleed through to the face.
Through trial and error I've found a process I'm very comfortable with that involves clamping small stacks of freshly cut cards and using an airbrush to finish the edges. The flow of paint through the airbrush, sharpness of the knife on the paper cutter, clamping pressure, drying time, and card separation are just a few variables that effect the final edge painted card.
Consideration for Designers
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We prefer to edge paint Crane's double thick Lettra (pictured above), which is 600gsm (220lb). Other quality papers of similar thickness will also work well. We can't edge paint black or dark paper yet.
It's best to use primary / bold colors for the edges of the card. If you're using a subtle color for the letterpress ink, it's difficult to perfectly match that color to the edges. This is because the letterpress ink isn't the same ink used to paint the edges.
To start out, we are currently only taking short runs (100 - 250 card orders) for edge painting work. ∞
I'm extremely excited to announce at the end of 2014 I was able to quit my day job as a web developer to focus 100% of my time on Hoban Press and Hoban Cards. (Yippee!!) I'm looking forward to releasing new products and designs more regularly.
Today I'm releasing six new letterpress printed calling card templates at Hoban Cards. Here's a short description of, and link to, the new templates available — all starting at $75.
A bordered card fit for a classy professional. While a great all around conservative choice, this template would work especially well for someone involved in law or finance.
This mini-card, measuring in at 86mm x 34mm is typeset in one of my all time favorite fonts: Columbia Titling. These are a more dressed up version of the The Bijou (below).
The Trade Card
Perhaps my favorite of the new bunch, these UK sized cards are also typeset in Columbia Titling and are designed to lean toward a business card, rather than a calling card.
These modern cards are fantastically balanced and sophisticated. The medium grey ink and wide tracking really set them off.
'Bijou' is a great word. It means a small piece of craftsmanship. A fitting name for these mini cards typeset in a wonderful modern font called Effra.
The Writer (pictured above)
I'm not a writer, but if I were, I'd pick these ones. Trustworthy, balanced, and warm are a few adjectives that come to mind when I see this one. gold-brown ink on cream stock.
Two templates that were previously at the $75 price point are currently on sale for $50. Checkout the much loved Typewriter Card and The Scholar. ∞
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Here's another card with a creative use of texture. In edition to the back side of the card, we love these because of Ann's great logo and how she chose the placement of it on the card.
These cards are printed on Crane's 220# (600gsm) Lettra. Checkout Ann's graphic design work on her website: http://annschoew.com ∞
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On the Sly
We particularly like how these simple 2 color double sided cards came together. Simple patterns look great letterpress printed and often times add a special custom touch. The texture produced by the pattern as an impression on the back of the card makes it that much more fun to handle as well!
These cards are printed on Crane's 220# (600gsm) Lettra. And, if you're into awesome patterns as much as we are, checkout the On the Sly webpage for some amazing textiles. ∞
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New Hoban Cards Templates
Our letterpress printed calling card site, Hoban Cards, has just published a new $50 calling card tier, to suppliment the existing $75 and $125 offerings.
Three new templates are available for a limited time and are typeset with one of our favorite serif fonts, Calluna. The type also utilizes Calluna's discretionary ligatures, which are a beautiful unique touch to the simple, classy layouts.
The new cards are called The Field Card, The Agent, and The Counselor. ∞
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Noah Gundersen - Ledges Lyric Sheet
Noah Gundersen, a good friend from my hometown, contacted me to print some simple lyric sheets for his newly released album, Ledges. These were printed on our Heidelberg Windmill on the wonderful 140# Holyoke Rag.
If you haven't heard Noah's music, do yourself a favor and look him up. Download or stream his most recent album, or head over to his Bandcamp page and listen to his prior album, Family. You may have recognized his music if you're a Sons of Anarchy fan, as his songs have been feaured on a few episodes. There are also countless videos of Noah and his sister Abby performing on YouTube.
The music video to the above lyric sheet is also a great place to start! ∞
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Keikeu Cake Boutique
We recently printed these lovely off-sized business cards for Keikeu Cake Boutique. They were printed on 220lb Crane Lettra and beautifully utilize a blind impression as a background for the logo side of the card. Layout / Design by Kaori Drome. ∞
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King Wedding Invites
In addition to business cards and small stationery items, we've been printing more wedding invitations lately. This small wedding package, which included invitations and RSVP cards were printed on 220lb Crane Lettra on our 1957 Heidelberg Windmill.
The one color design was submitted to us by Nicole and Tristan and exemplifies how beautiful typography is perfectly accentuated by letterpress printing. ∞
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We’ve recently completed a couple coaster / business card combinations, which work out very nicely as a simple branding package. Coasters make lovely, unique gifts and certainly get noticed.
This small package was printed for a new business of a long time family friend. We chose to contrast the Pearl White Crane Lettra stock on the business card with a hefty chipboard for the coasters. The dark brown ink on both pieces pulled it all together. ∞
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Graphic designer, Olivia Notter, had us letterpress print these fantastic double sided business cards. The color combination and unique design made these one of our favorites. Thin lines and patterns generally look very nice with the letterpress printing process. ∞
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Jeffrey Michael Frankosky
Jeffrey Michael Frankosky submitted a beautifully composed design with a clever logo-mark, which I particularly like. These cards are letterpress printed on 220lb Crane Lettra and are a great example of how excellent typography can really make a card special. ∞
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I love this simple layout submitted by itsy.com.br. Printed on Pearl White 220lb Crane Lettra. ∞
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Two color, double sided business cards on 220lb Crane Lettra. ∞
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Steel City Church
Two color coasters on 220lb Crane Lettra for Steel City Church. ∞
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I’ve hesitated to do this for quite some time, but in an effort to show a more personal side of Hoban Press, I’ve decided to create a Facebook page for posting shop pictures, history behind our vintage letterpresses, as well as some the nitty gritty details of the printing process.
If you’re into that sort of thing, like us on Facebook to follow our updates.
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